Apr 01

產品名稱: Start From Here (SACD Version)
歌手名稱: Joanna Wang 王若琳
推出日期: 2008-05-08
語言: 英語, 國語
光碟格式: Super Audio CD

http://www.yesasia.com/global/start-from-here-sacd-version/1010997305-0-0-0-zh_TW/info.html

此為最新技術的SACD版,在日本壓片生產,碟內並加入兩首翻唱新曲︰Paul Simon 名曲「50 Ways to Leave Your Lover 」和 The Carpenters的「We’ve Only Just Begun」。
曾為《美味關係》首次獻聲的樂壇新人王若琳(Joanna Wang),推出首張個人大碟《Start From Here》,雙CD以國語及英文專輯同時上市。有「台灣Norah Jones」之稱的王若琳,詮釋Bosa Nova的自我風格,碟內可找到Joanna創作的三首新歌,此外,她亦翻唱兩首西洋經典曲及唱出五首國語歌曲由,唱片由外國樂手錄音打造。

碟內收錄了台劇《美味關係》的插曲「迷宮」及「I love you」,其中「迷宮」更成為英文版主打歌「Let’s Start from Here」。此外,「有你的快樂」及「因為你愛我」這兩首新歌也被選為《我在墾丁.天氣晴》的片頭曲以及片尾曲。

內容簡介/曲目
Hybrid規格﹐可於SACD播放機及一般的CD播放機播放
Hybrid Stereo, Plays on ALL SACD and standard CD Players

今年最受肯定的好聲音
Joanna王若琳
為最在乎音樂品質的你
推出最精致的SACD版本專輯

本專輯不但采取SACD的最新技術﹐并且在日本生產壓片。
為了滿足音樂行家的鑑賞﹐更在專輯中加入兩首曲目
50 Ways to Leave Your Lover 以及 We’ve Only Just Begun
今年最受音樂界肯定的好聲音、好音樂﹐音質更上層樓﹗

SACD
01. Let’s Start From Here
02. Lost in Paradise
03. As Love Begins to Mend
04. Bada Bada
05. Lost Taipei
06. The Best Mistake I’ve Ever Made
07. I Love You
08. For No Reason
09. Stages of Flying
10. True
11. New York State of Mind
12. 50 Ways to Leave Your Lover (New)
13. We’ve Only Just Begun (New)
14. 迷宮 (中文)
15. 有你的快樂 (中文)
16. 因為你愛我 (中文)
17. For No Reason (中文)

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Apr 01

レーベル avex trax
配信開始日 2017.02.08
収録曲数 全3曲
販売データ ハイレゾ|FLAC|48.0kHz/24bit

http://mora.jp/package/43000002/ANTCD-21384_F/

約2年9ヶ月ぶりのシングルは、豪華タイアップ作品!
過去や未来、他人の評価に捉われず「私をもっと生きよう」というテーマで制作された新曲「私」はフジテレビ系ドラマ木曜劇場「嫌われる勇気」主題歌。(2017年1月~)
カップリング曲には、五感で巡る花の体験型デジタルアート展 『FLOWERS by NAKED 2017 -立春-』テーマソング

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
ドラマ「嫌われる勇気」主題歌

収録曲

1 – 私 – 03:43
2 – サクラハラハラ – 04:27
3 – 女子シェルター – 04:12

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Apr 01

柔與豔的幻化、千縷柔情、萬般美豔,幻化仙樂妙韻,敲開扇扇心扉,引來點點共鳴……鄭重推薦:這是真愛(電影「聖誕快樂」主題曲)獻君千闕歌(電影「聖誕快樂」插曲) 風裏的呼喚 不變的伴侶 康藝成音八五年

曲目列表:

01. 風裏的呼喚
02. 順流、逆流
03. 不變的伴侶
04. 空虛所以追憶
05. 小夜曲
06. 夜雨星空
07. 這是真愛
08. 獻君千阕歌
09. 更改
10. 憶伊人
11. 在旅途中
12. 音樂嘉年華
13. 三分七分 85年演唱會獨白版

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Apr 01

產品名稱: 劉若英精選 (SACD) (限量編號版)
歌手名稱: 劉若英 (歌手)
推出日期: 2016-11-17
語言: 國語
製作來源地: 中國香港
光碟格式: Super Audio CD

http://www.yesasia.com/us/%E5%8A%89%E8%8B%A5%E8%8B%B1%E7%B2%BE%E9%81%B8-sacd-%E9%99%90%E9%87%8F%E7%B7%A8%E8%99%9F%E7%89%88/1054060318-0-0-0-zh_TW/info.html

內容簡介
經典黃金SACD系列, 滾石巨星再現 –劉若英精選
日本壓製 Super Audio Compact Disc(Hybrid)
首批1,000張印有限量編號及側條, 極具珍藏價值!

曲目:
01. 收穫
02. 很愛很愛你
03. 成全
04. 一輩子的孤單
05. 後來
06. 我等你
07. 對面男生的房間
08. 為愛痴狂
09. 冰點(陳昇, 劉若英)
10. 打了一把鑰匙給你
11. 雨季
12. 透明
13. 花季未了
14. 決定
15. I believe

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Apr 01

レーベル NBCUniversal Entertainment
配信開始日 2015.08.12
収録曲数 全13曲
販売データ ハイレゾ|FLAC|48.0kHz/24bit

http://mora.jp/package/43000025/GNCA-1450_F/

人気アニメ「ラブライブ!」絢瀬絵里役など様々なアニメで声優として活躍する一報、fripSideのボーカルとしても、その唯一無二なのびやかなボーカルを聴かせてくれる南條愛乃の「想い」がたっぷり詰まった1stフルアルバム!

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
「黄昏のスタアライト」:
TVアニメ グリザイアの楽園「カプリスの繭」編エンディングテーマ

「あなたの愛した世界」:
TVアニメ「グリザイアの果実」 エンディングテーマ

「君が笑む夕暮れ」:
TVアニメ「東京レイヴンズ」エンディングテーマ

「きみを探しに」:
TVアニメ グリザイアの楽園「ブランエールの種」編エンディングテーマ

収録曲

1 – 夜、静かな夢 – 02:51
2 – believe in myself – 03:54
3 – 黄昏のスタアライト – 04:03
4 – Precious time – 04:21
5 – 7月25日 – 05:58
6 – あなたの愛した世界 – 03:46
7 – Dear × Dear – 03:48
8 – 君が笑む夕暮れ – 05:21
9 – Recording – 05:20
10 – だいすき – 05:11
11 – きみを探しに – 03:42
12 – だから、ありがとう – 03:59
13 – + 1day – 05:17

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Apr 01

スキマスイッチ
配信開始日:2014.12.03
全4曲|FLAC

http://mora.jp/package/43000001/4988017691632/

「Ah Yeah!!」「パラボラヴァ」に続くニュー・シングルは、壮大なスケールで描くミディアム・ナンバー!
12月劇場公開の『THE LAST -NARUTO THE MOVIE-』主題歌!
※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。
【タイアップ】
『THE LAST -NARUTO THE MOVIE-』主題歌

収録曲

1.星のうつわ
02.快楽のソファー (仮) 2014ver.
03.ミッドナイト・グッドモーニン!!のテーマ (Instrumental)
04.星のうつわ (Backing Track)

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Apr 01

レーベル Sony Music Labels Inc.
配信開始日 2016.07.20
収録曲数 全13曲
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000001/4988009132099/

2011年「あたし、今日、失恋しました。」で衝撃のデビューを飾った、今年20歳のシンガーソングライター沢井美空の 1stアルバム。デビュー当時17歳だった少女が大人になる過程で感じ取った全てが詰まっています。
直近シングル「指輪~あたし、今日、結婚します。~」はYouTube再生回数も100万回を超え、着うたウィクリ―5位とまさに 飛躍した2012年。2013年の沢井美空はアルバムからスタート。

収録曲

1 – HELLO – 04:57
2 – ワンダフル☆デイズ – 03:05
3 – ヒトシズク – 04:09
4 – あたし、今日、失恋しました。 – 03:43
5 – 出来れば今すぐ会いたい – 05:05
6 – 小悪魔BOY – 04:42
7 – 無限大ジャーニー – 04:20
8 – なきむし。 – 05:08
9 – 卒業メモリーズ~サヨナラ、あなた。~(Acoustic ver.) – 05:54
10 – イエローカード – 04:14
11 – 好きになっちゃうじゃない – 04:59
12 – 指輪~あたし、今日、結婚します。~ – 06:24
13 – 砂時計 – 04:17

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Apr 01

產品名稱: 是這樣的 (SACD) (限量編號版)
歌手名稱: 梅艷芳 (歌手)
推出日期: 2016-07-22
語言: 粵語
製作來源地: 中國香港
光碟格式: Super Audio CD

http://www.yesasia.com/global/%E6%98%AF%E9%80%99%E6%A8%A3%E7%9A%84-sacd-%E9%99%90%E9%87%8F%E7%B7%A8%E8%99%9F%E7%89%88/1050979147-0-0-0-zh_TW/info.html

1994年,梅艷芳推出唱片《是這樣的》,至此,梅艷芳過往專輯銷量累計突破一千萬張。此後,她又一連推出了《鏡花水月》、《女人花》、《床前明月光》等專輯,形象依然突破多變,歌曲風格多樣。其中《女人花》和《一生愛你千百回》等歌曲成為梅艷芳國語歌的代表。 “中國風”歌曲《床前明月光》則是她在新領域的一次嘗試,配合她的演繹,充盈著濃厚的文藝氣息。

內容簡介/曲目
華星唱片SACD (第8批)
(Super Audio Compact Disc)

首批1,000張編碼版,日本壓碟SACD (Hybrid),限量發行

01. 情歸何處
02. 感激
03. 請你快回來
04. 愛是個傳奇
05. 悲情城市
06. 如夜
07. 蝶舞
08. 愛情來了報佳音
09. 是這樣的
10. 朦朧夜雨裡

Continue reading »

Apr 01

Pacho Flores – Cantar (2013)
FLAC (tracks) 24-bit/96 kHz | Time – 01:07:40 minutes | 1,19 MB | Genre: Classical
Studio Master, Official Digital Download – Source: HighResAudio | © Deutsche Grammophon
Recorded: Konzerthaus Berlin, 2 & 3/2013

“The trumpet has a great advantage: it’s very versatile. It can sound like a voice, a violin, an oboe, a bass flute…. The most important thing for me in making music is to dream.”
Pacho Flores

“Pacho plays the trumpet the way a singer uses his voice. The music Pacho makes is like that of a soul expressing itself.”
Rolando Villazón

Francisco “Pacho” Flores, principal trumpet of the Simón Bolívar Symphony Orchestra and founding member of the Simón Bolívar Brass Quintet, has been achieving worldwide recognition as a soloist, captivating audiences with his energy and the bell-like beauty of his tone. His playing integrates jazz and Latin American influences with his classical training. “Music is music,” he has said, “whether it comes from South America or Europe. In my view, Venezuelan popular music is no less serious than classical music.”

Born in 1981 in San Cristóbal, Venezuela, Pacho was eight when he began studying with his father, Francisco Flores Díaz, a trumpeter and band director who told him: “Pachito, you have good lips. You will be a trumpeter.” A product of Venezuela’s groundbreaking system of youth and children’s orchestras (El Sistema), he later studied with Orlando Paredes at the Escuela de Música Miguel Ángel Espinel, Eduardo Manzanilla at the Instituto Universitario de Estudios Musicales in Caracas and with Eric Aubier in Paris, where in 2005 he earned a conservatory diploma with a unanimously awarded Prix de Virtuosité. He has won no fewer than four international competitions, including, in 2006 in Paris, the most prestigious of all: the Maurice André Competition.

As a soloist, Flores has appeared with orchestras in France, Russia, Ukraine and Japan, as well as with the Simón Bolívar Symphony Orchestra. In recital, he has performed at such venues as Carnegie Hall in New York, the Salle Pleyel in Paris and the Tokyo Opera City Concert Hall. With the Simón Bolívar Brass Quintet, he has toured extensively in Europe, South America, the US and Japan. In addition to his post in the Simón Bolívar Symphony Orchestra, he has played first trumpet in the Saito Kinen and Miami Symphony orchestras, and has performed under the baton of such distinguished conductors as Claudio Abbado, Sir Simon Rattle, Seiji Ozawa, Giuseppe Sinopoli, Rafael Frühbeck de Burgos and Gustavo Dudamel.

A founding director of the Latin American Trumpet Academy in Caracas, Flores mentors budding musicians and he is a frequent guest at conservatories in Finland, Spain, France, Japan and Latin America. As an avid champion of new music and the impetus for important innovations to trumpet performance and fabrication, he has premiered works by composers such as Roger Boutry, Efraín Oscher, Sergio Bernal, Giancarlo Castro and Santiago Báez. Flores performs on instruments tailored for him by the renowned Spanish maker Stomvi.
In 2012 Francisco “Pacho” Flores became an exclusive Deutsche Grammophon artist. He appears on the summer 2013 release, “Adiemus Colores”, an album of new Latin American-influenced compositions by Karl Jenkins. On his first solo recording, “Cantar” (Sing), planned for international release in 2014 (with a 2013 pre-release in Japan), he performs on nine instruments in different keys from his large collection, choosing the ideal one for each work in a largely Baroque programme – it also contains a new work, Soledad, composed for Flores by Efraín Oscher – that showcases the exceptional range and beauty of his tone and phrasing. Pacho says: “None of the works is originally for trumpet. All are for other instruments: violin, oboe, guitar, piano, organ, soprano or contralto. Each piece is recorded with a different trumpet that gives a distinct nuance, a different colour.”

Tracklist:

George Frideric Handel (1685-1759)
Solomon HWV 67 / Act 3
1. Sinfonia The Arrival Of The Queen Of Sheba 03:13

Johann Baptist Georg Neruda (1708-1780)
Concerto For Trumpet And Strings In E Flat
2. 1. Allegro 05:26
3. 2. Largo 05:28
4. 3. Vivace 04:54

Johann Sebastian Bach (1685-1750)
5. Nun komm der Heiden Heiland BWV 659 04:38

Domenico Cimarosa (1749-1801)
Oboe Concerto In C
6. 1. Introduzione – attacca: 02:53
7. 2. Allegro 02:44
8. 3. Siciliana 02:44
9. 4. Allegro giusto 02:22

Johann Sebastian Bach (1685-1750)
Mass In B Minor, BWV 232
10. Agnus Dei 05:02
Efrain Oscher (1974)
11. Soledad 04:40

Johann Sebastian Bach (1685-1750)
Das Wohltemperierte Klavier: Book 2, BWV 870-893
12. Prelude in F Minor, BWV 881 03:50

Louis-Claude Daquin (1694-1772)
Premier livre de pieces de clavecin (1735)
13. Le coucou 01:51

Santiago de Murcia (1673-1739)
14. Tarantella II 03:14

Giuseppe Tartini (1692-1770)
Concerto For Trumpet And Continuo
15. 1. Grandioso 04:04
16. 2. Andante 03:03
17. 3. Allegro grazioso 02:58
Alvaro Paiva Bimbo
18. Soy tu ayer 04:36

Personnel:
Francisco ‘Pacho’ Flores, trumpet
KMD Jörg Strodthoff, organ (#5)
Ralf Benesch, vihuela (#14), guitar (#18)
Sabine Erdmann, harpsichord (continuo)
Konzerthausorchester Berlin
Christian Vásquez, conductor

Continue reading »

Apr 01

Roberto Alagna – My Life Is An Opera (2014)
FLAC (tracks) 24-bit/96 kHz | Time – 00:57:23 minutes | 1,05 GB | Genre: Classical, Opera
Studio Master, Official Digital Download – Source: prestoclassical.co.uk | © Deutsche Grammophon
Recorded: AIR Studios (Londres) du 1er au 6 septembre 2014 et à Abbey Road Studios (Londres) le 8 Septembre 2014

Roberto Alagna is THE most well-known French tenor worldwide, with 30 years of career on stage, and 60 opera roles in his repertoire. For this all-new album, he sings selections both familiar and less well-known as well as duets with soprano Aleksandra Kurzak. Highlghts include selections from I Pagliacci, Manon Lescaut, Madama Butterfly, Roberto Devereux and many more.

A cynic might look at Roberto Alagna’s new disc, ‘My Life is an Opera’, and think, ‘At least he admits it’. From his stormy La Scala stage departure to his relationship with Angela Gheorghiu, Alagna’s personal life is…well, operatic. Somewhat embarrassingly, the disc’s booklet has each of the arias listed (out of order from their disc sequencing) to illustrate some signpost in his life, though instead of dealing with the aforementioned incidents in this loose autobiography, the text speaks of the ‘meteoric’ rise of this ‘golden-voiced handsome young genius’. (Oh dear.)

But anyone who thought the medium-weight Alagna voice was on the way out with his Radamès and Otello might be dumbfounded at his excellent state of vocal health on the disc, and the sure dramatic instincts behind it. Most of the repertoire seems new to Alagna’s discography, though there are very few signs of having just learnt arias from Gluck’s Orfeo, The Queen of Sheba (both the Gounod and Goldmark versions) and Reyer’s Sigurd.

Aside from forays into Puccini’s Manon Lescaut and Leoncavallo’s Pagliacci, the programme seems to signify a re-commitment to his fundamentally mid-weight lyric vocal personality, not playing safe in the way he builds phrases and longer-term musical climaxes but rarely pushing his limits (the closest he comes is in an excerpt from his brother David Alagna’s opera Le dernier jour d’un condamné ). Lensky’s aria from Eugene Onegin is in French translation, not Russian. Bel canto choices such as the dramatically charged duet from Roberto Devereux (with Aleksandra Kurzak) don’t require serious coloratura.

The biggest vocal surprise is ‘Magische Töne’ from the Goldmark Sheba, in which Alagna goes into the falsetto stratosphere with a musico-dramatic effect that stands well alongside performances by the great tenors of the past, including Nicolai Gedda and Leo Slezak. Alagna doesn’t have a particularly strong-minded collaborator in the London Orchestra (an ensemble I’ve never heard of) and its Director Yvan Cassar. But recorded sound is first-class. –David Patrick Stearns, Gramophone

Tracklist:

Giacomo Puccini (1858-1924)
1. Manon Lescaut / Act 2: Ah ! Manon, mi tradisce 2:52
2. Manon Lescaut / Act 1: Donna non vidi mai 2:41

Piotr Ilyich Tchaikovsky (1840-1893)
Eugene Onegin, Op.24 / Act 2
3. Pour moi ce jour est tout mystère… 5:47

Charles François Gounod (1818-1893)
La Reine de Saba / Act 2
4. Faiblesse de la race humaine. Inspirez-moi, race divine… 5:00

Gaspar Antonio Olavarría Maytín (1840-1891)
5. A La Luz De La Luna 3:48
Gioacchino Antonio Rossini (1792-1868)
6. La Danza – Tarentelle Napolitaine 3:22

Ernest Reyer (1823-1909)
Sigurd / Act 2
7. Esprits gardiens de ces lieux… 4:31

Gaetano Donizetti (1797-1848)
Roberto Devereux / Act 1
8. Un tenero cuore 3:25
9. Cabaletta : Un lampo, un lampo orribile 2:45

Giacomo Puccini (1858-1924)
Madama Butterfly / Act 2
10. Addio fiorito asil 2:03

Jules Emile Frederic Massenet (1842-1912)
Hérodiade
11. Ne pouvant réprimer… Adieu donc 4:55

Christoph Willibald Gluck (1714-1787)
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 – Arr. D. Alagna
12. Che faro senza Euridice 3:52

Karl Goldmark (1830-1915)
Die Königin von Saba
13. Magishe Töne 3:59

David Alagna (b.1975)
Le dernier jour d’un condamné / Act 2
14. Il est dix heures… Encore six heures… 3:59

Ruggiero Leoncavallo (1857-1919)
15. Pagliacci / Prologue: Introduction 1:10
16. Pagliacci / Act 1: Recitar… Vesti la giubba 3:14

Personnel:
Roberto Alagna, tenor
Aleksandra Kurzak, soprano (#5,8,9)
London Orchestra
Yvan Cassar, conductor

Continue reading »

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