Apr 10

產品名稱: Teresa Teng Concert Live (SACD) (限量編號版)
歌手名稱: 鄧麗君 (歌手)
推出日期: 2016-09-27
語言: 粵語
製作來源地: 中國香港
光碟格式: Super Audio CD

http://www.yesasia.com/global/teresa-teng-concert-live-sacd-%E9%99%90%E9%87%8F%E7%B7%A8%E8%99%9F%E7%89%88/1053378876-0-0-0-zh_TW/info.html

內容簡介/曲目
無可匹敵10款UMG/EMI中文流行80年代錄音名著SACD
強勢列陣.勢必再掀搶購熱潮
限量獨立1000張編號
原裝封面、底式樣
終極聲效.質高量限

01. 船歌
02. 海韻
03. 何日君再來
04. 釜山港へ帰れ [回到釜山港]
05. 浪花節だよ人生は [如浪花曲的人生]
06. 北国の春 [北國之春]
07. 夜來香
08. I JUST CALLED TO SAY I LOVE YOU
09. つぐない [償還]
10. 乱されて [被迷亂著]
11. 愛人
12. 今でも・・・ [天外天上天無涯]
13. ジェルソミーナの歩いた道 [風兒雨兒]

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Apr 10

レーベル Victor
配信開始日 2017.02.01
収録曲数 全9曲
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000005/VICL-64691_F/

こんな鬼束ちひろを待っていた。透明感も儚さも狂気も気迫も取り戻し、鬼束ちひろネクストステージへ。約6年ぶりの待望のオリジナルニューアルバム。

収録曲

1 – good bye my love – 06:07
2 – 碧の方舟 – 05:51
3 – 弦葬曲 – 05:01
4 – Sweet Hi-Five – 04:53
5 – ULTIMATE FICTION – 05:57
6 – 悲しみの気球 – 04:59
7 – シャンデリア – 05:33
8 – 火の鳥 – 05:24
9 – good bye my love (acoustic version) – 06:02

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Apr 10

レーベル Music Ray’n Inc.
配信開始日 2016.09.07
収録曲数 全12曲
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000001/4580163595736/

新進気鋭の女性声優ユニット、TrySailとして通算4枚目のシングル「High Free Spirits」がオリコンウィークリートップ10入り、ファースト・アルバム『Sail Canvas』がオリコンウィークリートップ5入りを果たし大躍進の雨宮天が、自身のCDデビューから2年の時を経て遂に1stアルバムをリリース!デビューシングル「Skyreach」から3rdシングル「Velvet Rays」までの全曲に加え、新規楽曲を6曲収録。まさに「Various」の名に違わず、激しいアップテンポナンバーからバラードまで様々な表現をみせる。

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
「Skyreach」 :
TVアニメ『アカメが斬る!』オープニングテーマ

「月灯り」:
TVアニメ『アカメが斬る!』第2クールエンディングテーマ

「Velvet Rays」:
スマートフォンゲームアプリ『ヴァリアントナイツ』テーマソング

収録曲

1 – Absolute Blue – 04:05
2 – 夢空 – 04:25
3 – Skyreach – 04:28
4 – 羽根輪舞 – 04:40
5 – Glitter – 04:43
6 – ASH – 04:18
7 – チョ・イ・ス – 05:27
8 – 月灯り – 04:20
9 – Silent Sword – 04:08
10 – Velvet Rays – 04:22
11 – After the Tears – 04:46
12 – RAINBOW – 03:58

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Apr 10

最新アルバムから新曲の数々も披露された豪華絢爛なショーは必見。東京公演最終日にサプライ ズ披露され たトレンディエンジェル、GACKT本人も登場した「ANOTHER WORLD」も完全 収録!

昨年末に行われたカウントȀウンライブ“MADE IN TOKYO”で魅せた豪華絢爛なステージを、 更に進化させ、 全国で13万人を動員した2016年のアリーナツアー”MADE IN JAPAN”が商 品化。日本特有の四季折々と、7つ の章と共に進んでいくストーリー展開。LIVE用に「和」を テーマにアレンジされたヒット曲の数々と演出、 更にツアー開始直前に突如全曲先行配信され たニューアルバム『M(A)DE IN JAPAN』の新曲の数々を惜しげ もなく披露し、豪華絢爛なエ ンǿーテインメントショーは近年最高の出来と喝采を浴びた。更に、東京公 演最終日にサプラ イズで披露された、トレンディエンジェル、GACKT本人も登場した「ANOTHER WORLD」 も 完全収録。

https://www.amazon.co.jp/ayumi-hamasaki-ARENA-JAPAN~-Blu-ray/dp/tracks/B01LKWQI34/

曲目リスト
1. tasky
2. GREEN
3. FLOWER
4. WARNING
5. Blue Rain
6. rainy day
7. MOON
8. INSPIRE
9. You & Me~Lelio~XOXO
10. glitter
11. BRILLANTE
12. Mad World
13. Endless sorrow
14. ever free
15. Survivor
16. until that Day…
17. OST
18. Days
19. You were…
20. ASIA -interlude-
21. evolution~SURREAL
22. vogue
23. You are the only one
24. Summer Love
25. flower garden
26. Boys & Girls
27. TODAY
28. MY ALL
29. ANOTHER WORLD with GACKT, トレンディエンジェル

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Apr 10

專輯名稱:接觸徐小鳳精選(第二輯)SACD
演唱歌手:徐小鳳
唱片編碼:DSD64
資源格式:SACD ISO
發行時間:2005年
地區:香港
語言:粵語
文件大小:2.80Gb

專輯介紹:

徐小鳳1968年加入仙樂斯舞廳,從此開始其歌唱職業,隨後到吉隆坡羅敏申夜總會演唱三個月,回港後在金冠及海天夜總會演唱; 如今她已是一棵罕有地橫跨兩個世紀,多個年代之樂壇長青樹。
早期的徐小鳳唱盡國語時代歌曲,她對四五十年代歌曲的锺愛程度在是次個唱中有迹可尋。然而,她的粵語金曲較爲港人熟識,光是唱出這些耳熟能詳的好歌,已令在場觀衆拍爛手掌,其中“隨想曲” 、“順流逆流” 、“無奈” 是經典中的經典,試想想她已獻唱了它們過千次了,每次投放感情的多少自然有所差異,資深歌迷往往可聽到每次徐小鳳現場演繹時的心境來。
80年代,隨著她歌藝改進與香港演唱會熱潮的興起,徐小鳳聲名與日俱增,同時與樂迷的距離亦有所改變,大衆多數只能在電視或紅館裏見到她,而非昔日可以近距離與她接觸。
90年代,由於香港傳媒轉向以較誇張及揭秘式來報導,使原已低調的徐小鳳變得更爲慎言與冷淡,但在大批熱情歌迷面前仍舊會報以燦爛的笑容。
踏入廿一世紀,十年人事幾番新,自1995年農曆年演唱會後,徐小鳳幾乎沒有再在香港公開露面(其中只有97回歸演出) ,正如演唱會上她所講:“高處不勝寒,都是做個平凡人好些”。今天她確是做回一個平凡人,她的侄仔侄女們上台獻花,就透露出她最近十年生活上的一點痕迹了,眼前出現了一位與侄仔侄女兒甥共聚天倫的靓靓姨媽,相信徐小鳳是有意炫耀這份自豪感的,這也許比她的歌壇大姐大地位來得寶貴。
她唱盡人間悲歡離合,聽得多少名人權貴陶醉(由富商到領導人,由圈內到圈外名人都來捧場了),市民大衆對她有一份愛護,在所謂“失聲” 而宣布演唱會腰斬的一刻,沒有人埋怨,但得到更加熱烈的支持掌聲,這是她以四十年的用心歌唱換來的。

專輯曲目:

01. 漫漫前路
02. 風的季節
03. 夜風中
04. 喜氣洋洋
05. 雪後有春風
06. 人生滿希望
07. 月色眼內浮
08. 歌聲暖我心
09. 老人與海
10. 幸福途
11. 行蹤不要問
12. 夏威夷情歌
13. 小癞麻
14. 500步
15. 賣馄饨
16. 深秋立樓頭
17. 漫天風雨
18. 誓要入刀山
19. 真金那怕火
20. 海鷗飛翔
21. 音樂盒

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Apr 10

Atzko Kohashi & Sebastiaan Kaptein – Dualtone (2013)
FLAC (tracks) 24-bit/96 kHz | Time – 56:53 minutes | 1.14 GB | Genre: Jazz
Studio Master, Official Digital Download – Source: soundliaison.com | @ Sound Liaison
Recorded on April 2nd, 2012 at Studio Eleven Hilversum, the Netherlands

Bill Evans once referred to Japanese ‘Sumiye’ ~ ink-wash paintings ~ in his liner notes for the original recording of Kind of Blue by Miles Davis sextet in 1958: “There is a Japanese visual art in which the artist is forced to be spontaneous. He must paint on a thin stretched parchment with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line or break through the parchment. Erasures or changes are impossible….”

In retrospect, (as far as I know) he was the first one to touch on Japanese visual art related to jazz music and I’m now pursuaded that Bill Evans had it absolutely right. Believe it or not, the essence of traditional Japanese art, from Japanese sit-down comedy the Way of Tea, surprisingly had so much in common with jazz music.

While recording we enjoyed going with the flow an living in the moment. I hope that you can hear it here, and enjoy!–Atzko Kohashi
Tracklist:
01. Blue in Green (Miles Davis)
02. Falling Grace (Steve Swallow)
03. Icebreaker No.1 (Sebastiaan Kaptein)
04. But Beautiful (Jimmy Van Heusen)
05. I Remember You (Victor Schertzunger)
06. Icebreaker No.2 (Kobashi Atsuko)
07. Very Early (Bill Evans)
08. How Deep is the Ocean (Irving Berlin)
09. My old Flame (Arthur Johnston)
10. Pittoresk (Kobashi Atsuko)
11. Two by Two (Steve Kuhn)
12. A Nightingale Sang in Berkeley Square (Manning Sherwin)

Personnel:
Atzko Kohashi – piano
Sebastiaan Kaptein – drums

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Apr 10

レーベル FROG MUSIC
配信開始日 2016.11.23
収録曲数 全11曲
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000033/A50291/
http://ototoy.jp/_/default/p/67840

注目のシンガーソングライター・ピアニスト本格起動!心地よいメロディーに芯の強さ、これが黒川サウンド!amazon通信販売限定にて発表したMiniAlbum「On My Piano」が話題となった「黒川沙良」。1st Albumとなる「Prelude」を遂に発表! 本作「Prelude」はTINYVOICE PRODUCTIONの面々のフルサポートを受けて制作。聴く人全てをポジティブな気持ちにさせる「Keep on trying」、壮大なスケール感と流麗なピアノが絶妙にマッチしたミディアムナンバーの「Blue」、スタイリッシュなアレンジが光るアーバンダンサーの「Allnight」、勢い溢れるBritish Jazz Funkをベースモチーフにした「Now Best One」、 アルバムのラストを飾るピアノ一本で歌いあげたラブバラード 「I Think Of You」などの強力なナンバー全11曲収録、駄曲一切無しの秀逸なアルバムが完成した。心地よいメロディーに凛とした芯の強さが伝わるピアノの調べがあいまって生まれる音楽こそが黒川サウンド。この魅力を存分に堪能出来る内容のアルバムになっている。

収録曲

1 – Embrace – 01:00
2 – Keep on trying – 04:44
3 – Blue – 04:28
4 – Allnight – 03:49
5 – Now Best One – 04:02
6 – Find out~One Thing~ – 05:17
7 – Appreciate – 04:49
8 – 17さい – 05:34
9 – その光を私に射して – 04:14
10 – Goodbye – 03:59
11 – I Think Of You – 06:33

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Apr 10

Baroness – Purple (2015)
FLAC (tracks) 24 bit/96kHz | Time – 42:40 minutes | 952 MB | Genre: Rock
Official Digital Download – Source: HDTracks | Front cover | © Abraxan Hymns
Recorded: Winter 2015, Tarbox Road Studios, Cassadaga, New York

Purple is the fourth album from Baroness, produced by Dave Fridmann.

A bus accident in 2012 permanently altered reality for Baroness. While on tour to promote the just-released Yellow & Green, they crashed through a guardrail in heavy rain and fell 30 feet. Though all the members survived, drummer Allen Blickle and bassist Matt Maggioni each suffered fractured vertebrae and ultimately left the group. Frontman/guitarist John Baizley (who spent months in recovery) and guitarist Pete Adams enlisted drummer Sebastian Thomson (Trans Am) and jazz bassist Nick Jost (who also handles keyboards) as their new rhythm section. Purple was produced by Dave Fridmann (Flaming Lips, Sleater-Kinney) and issued on the band’s Abraxan Hymns label. Baroness’ penchant for using colors as album titles is apt here: Purple denotes both bruising and healing. Musically, this is an energetic (at times anthemic) hard rock album whose songs are drenched in hooks, soaring vocals, and vibrant singalong choruses; they’re scored for blistering twin guitars, a forceful, inventive rhythm section, and a boatload of sonic atmospheres. Throughout, influential references seemingly emerge at once: Mastodon, Wishbone Ash, The Obsessed, early Queen, Thin Lizzy, Iron Maiden, Metallica, etc. Fridmann is an equal collaborator: His creatively textured palette is dynamic and sprawling. Baizley’s lyrics continually reference the aftermath of trauma but never weigh down the songs. The first four tracks — “Morningstar,” “Shock Me,” “Try to Disappear” and “Kerosene” — are stone killers. Each contains a brief, speculative intro that gives way to a full-tilt rocker. Tightly written verses/chorus/verse/bridge structures are accompanied by massive riffing and biting, kinetic instrumental breaks. The spacious atmospherics that introduce “Chlorine & Wine” ring and sway before the drum kit, bassline, and dual guitars start cranking through riffs answered by thunder cracking fills. The twin lead guitar break here is the best one on the record. Like “Kerosene” on the first half, “The Iron Bell” and “Desperation Burns” are heavy, hard-hitting metallic jams with vast sound palettes that never minimize the attack factor. There are two things that each of these tracks share: the first is Baizley’s expressive vocal (remarkable given his limited range). The second is that they all seem to wed the heaviness of 2007’s Red Album to the finest melodic hooks from Yellow & Green. The instrumental “Fugue” is painted with billowing ambient sonics, serpentine leads, and electric piano, all guided by a nocturnal snare and hi-hat groove. The melancholy power ballad “If I Have to Wake Up (Would You Stop the Rain?)” pairs the Gothic longing of the Cure’s Robert Smith with the progressive rock of Porcupine Tree, and strains through Baroness’ signature crunch in a striking finish. Though not as “experimental” as their previous couple of records, as a whole Purple is far more focused, and it’s certainly more euphoric. Surviving a close brush with death resulted in a celebratory affirmation of life that equates physical bombast and rockist swagger with woozy, dreamy, rainbow-streaked beauty. –AllMusic Review by Thom Jurek

Tracklist:
1 Morningstar 04:17
2 Shock Me 04:17
3 Try to Disappear 04:53
4 Kerosene 05:11
5 Fugue 02:35
6 Chlorine & Wine 06:49
7 The Iron Bell 04:25
8 Desperation Burns 04:14
9 If I Have to Wake Up (Would You Stop the Rain?) 05:42
10 Crossroads of Infinity 00:17

Personnel:
John Baizley – rhythm guitar, lead vocals
Peter Adams – lead guitar, vocals
Nick Jost – bass guitar
Sebastian Thomson – drums, percussion

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Apr 10

Claudio Abbado, Berliner Philharmoniker – The Last Concert (2016)
FLAC (tracks) 24 bit/48 kHz | Time – 01:35:59 minutes | 923 MB | Genre: Classical
Studio Master, Official Digital Download | Source: HDTracks | © Berliner Philharmoniker Recordings
Recorded: Recorded live at the Philharmonie Berlin 18, 19, 21 May 2013

Claudio Abbado (1933–2014) was one of the outstanding personalities in the history of the Berliner Philharmoniker. In May 2013, their unique partnership ended with Abbado’s last concert with the orchestra. The programme included two of the most important works of musical Romanticism: Hector Berlioz’s visionary Symphonie fantastique and Felix Mendelssohn’s magical, shimmering music for A Midsummer Night’s Dream. To mark the second anniversary of Claudio Abbado’s death on 20 January 2016, audio and video recordings of this memorable evening have been released in a hardcover luxury edition. With comprehensive articles, bonus videos and previously unpublished photographs, it documents Abbado’s work with the orchestra whose chief conductor he was from 1990 to 2002.

The recordings impressively convey the special atmosphere of the evening: the great affection the orchestra and the audience had for Claudio Abbado – and of course the enthusiasm for the musical performances. Renowned not least for his clever concert programming, Abbado combined two works here that deal with the theme of dreams in music in very different ways: Mendelssohn’s A Midsummer Night’s Dream conveys the multifaceted magical atmosphere of Shakespeare’s original, while Berlioz uses modern means to tell his delirious tale of fateful love and drug-induced hallucinations. Abbado’s performance brings out the full splendour of these scores. It is – as the Frankfurter Allgemeine Zeitung wrote – a “wonder, the freedom and youthful-like spirit with which the soon to be octogenarian expends himself, which he radiates and which he presents to his audience from the conductor’s stand.”

Tracklist:

Felix Mendelssohn (1809-1847)
A Midsummer Night´s Dream
1. Ouverture Op. 21: Allegro di molto – Poco ritenuto 12:04
2. No. 1 Scherzo: Allegro vivace 04:47
3. No. 3 Song with Chorus: »You Spotted Snakes with Double… 04:14
4. No. 5 Intermezzo: Allegro appassionato – Allegro molto… 03:58
5. No. 7 Notturno: Andante tranquillo 05:45
6. No. 9 Wedding March: Allegro vivace 04:55
7. No. 13 Finale: »Through the House Give Glimmering Light«… 04:27
Hector Berlioz (1803-1869)
Symphonie fantastique
8. I. Rêveries – Passions: Largo – Allegro agitato e… 15:51
9. II. Un bal: Valse. Allegro non troppo 06:44
10. III. Scène aux champs: Adagio 16:06
11. IV. Marche au supplice: Allegretto non troppo 06:46
12. V. Songe d´une nuit du Sabbat – Dies Irae – Ronde du… 10:18

Personnel:
Deborah York, soprano
Stella Doufexis, mezzo-soprano
Damen des Chors des Bayerischen Rundfunks
Berliner Philharmoniker
Claudio Abbado, conductor

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Apr 10

Hindemith, Schoenberg, Stravinsky – Works for Wind – Eastman Wind Ensemble, Frederick Fennell (1957/2015)
FLAC (tracks) 24-bit/96 kHz | Time – 00:35:54 minutes | 741 MB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Label: Mercury Records/Decca
Recorded: March 24, 1957, at the Eastman Theatre, Rochester, New York

This is the premiere recording for Paul Hindemith’s Symphony in B Flat (1951) and for Arnold Schoenberg’s Variations, Op. 43a (1943), two serious scores of fairly recent vintage. By coupling these “new” works with Igor Stravinsky’s thirty-seven-year-old masterpiece, Symphonies of Wind Instruments (1920 — revised 1947), it is possible for us to present three divergent concepts of the current wind medium in these major contributions to its ever-growing musical literature by composers of the first rank. With this continuing series of long-playing records by the Eastman Symphonic Wind Ensemble, Mercury and the Eastman School of Music seek to set forth the present state of the musical literature for the wind band and for the symphonic wind ensemble. Our previous recordings for Mercury in the field of symphonic repertory have included representative scores by American and British composers. Much of the best in the areas of field music and military marches by outstanding creators of these little masterpieces likewise has been both British and American in origin.
This far from accidental emphasis upon Anglo-American repertory has come about mostly because the music of quality which it represents has been or is becoming the basic repertory of our country’s vast wind band activity. The interest, understanding, and sympathy of the composers thus represented is only now beginning to reward those long-patient and devoted souls to whom the wind medium is a happy and exciting form of musical life. This interest, however, is by no means confined to Englishmen and Americans. We are all the more pleased, therefore, to present on this disc three provocative scores by men who descend creatively from origins other than Anglo-American

Tracklist:

Paul Hindemith (1895-1963)
Symphony in B-Flat Major for Concert Band
1. 1. Moderately fast, with vigor 06:23
2. 2. Andantino grazioso 05:27
3. 3. Fugue 04:42

Arnold Schönberg (1874-1951)
Theme and Variations, Op. 43a
4. 1. Theme 00:59
5. 2. Variation 1 00:50
6. 3. Variation 2 01:15
7. 4. Variation 3 01:09
8. 5. Variation 4 00:54
9. 6. Variation 5 01:12
10. 7. Variation 6 00:35
11. 8. Variation 7 01:14
12. 9. Finale 02:37

Igor Strawinsky (1882-1971)
13. Symphonies for Wind Instruments 08:41

Personnel:
Eastman Wind Ensemble
Frederick Fennell, conductor

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