May 24

產品名稱: 當林志美遇上鮑比達 (SACD)
歌手名稱: 林志美 (歌手)
音樂監製: 鮑比達
推出日期: 2016-06-22
語言: 粵語
製作來源地: 中國香港
光碟格式: Super Audio CD
出品商: New Century Workshop (HK)

yesasia

2003年,一把久違了聲音,但當林志美遇上鮑比達,爆發了音樂境界一股強勁的實力。碟內好歌如芸,並重新演繹名曲「幸福摩天輪」及「情非得已」等等,並由鮑比達親自為此碟《當林志美遇上鮑比達》作監製。

內容簡介/曲目
SACD LIMITED EDITION

MADE IN GERMANY

01. 我們開心
02. 偶然
03. 幸福摩天輪
04. 情非得已
05. 女人的聽覺
06. 孤單先生孤單小姐
07. 昨遲人
08. 愛自己
09. 下午茶 – 林志美/鮑比達
10. The Circle Game
11. 愛比我重要
12. 生命因愛動聽
13. 回到過去
14. 姊妹
15. 我應該
16. 安靜

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May 24

ナッシェタニア・ルーイ・ピエナ・アウグストラ(CV:日笠陽子)
ポニーキャニオン
リリース日:2015/12/02

http://hd-music.info/album.cgi/8177
http://mora.jp/package/43000004/PCCG-70266_F/

ED主題歌第二章は、ピエナ王国の第一王女であり<刃>の聖者でもある
ナッシェタニア・ルーイ・ピエナ・アウグストラ(CV:日笠陽子)が担当!

Sound produced by Elements Garden

収録曲

1 – Dance in the Fake – 03:26
2 – True Heaven – 05:11
3 – Dance in the Fake (Instrumental) – 03:26
4 – True Heaven (Instrumental) – 05:09

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May 24

レーベル Sony Music Labels Inc.
配信開始日 2014.06.04
収録曲数 全12曲
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000001/4547557034349/

ClariSの3作目となるフルアルバムは、2013年大きな話題となった『劇場版 魔法少女まどか☆マギカ [新編]叛逆の物語』主題歌「カラフル」、2014年1月よりオンエアをスタートした今注目のTVアニメ「ニセコイ」前期/後期OP曲「CLICK」「STEP」と3曲のヒットシングルを収録した充実の内容になっている。商品は3形態でのリリースとなる。

待望の3rdアルバムがClariS初のハイレゾ音源で配信することになりました。
ClariSの甘く切ない歌声が、より解像度の高い音質でお楽しみいただけます。
是非聴いてください。

ClariS担当ディレクター

収録曲

1 – Drawing – 04:29
2 – CLICK – 04:29
3 – 眠り姫 – 04:00
4 – Time – 04:14
5 – RESTART – 04:08
6 – コイノミ – 03:17
7 – STEP – 04:15
8 – ドライフラワー – 04:57
9 – トパーズ – 03:57
10 – かくれんぼ – 05:07
11 – カラフル – 04:32
12 – Orange – 05:14

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May 24

Sony Music
リリース日:2015/04/15
ファイル形式:
| FLAC | 96kHz/24bit

http://hd-music.info/album.cgi/2165
http://mora.jp/package/43000001/4547557038422/

衝撃のデビューから5周年を迎える今年、快進撃を続けてきたClariSの初BESTアルバム。
デビューから名だたるアニメとタイアップしてきた全シングル11曲を完全コンプリート収録!
さらに2010年メジャーデビュー前に、アニメ音楽誌「リスアニ!」の付録CDで発表され、
現在は入手困難になっている「DROP」「君の夢を見よう」と、
2014年新メンバー“カレン”加入時に発表された「Clear Sky」もボーナス収録!

【タイアップ】
1.irony(TVアニメ「俺の妹がこんなに可愛いわけがない」OPテーマ)
2.コネクト(TVアニメ「魔法少女まどか☆マギカ」OPテーマ)
3.nexus(小説「俺の妹がこんなに可愛いわけがない」テーマソング)
4.ナイショの話(TVアニメ「偽物語」EDテーマ)
5.Wake Up(TVアニメ「もやしもん リターンズ」OPテーマ)
6.ルミナス(『劇場版 魔法少女まどか☆マギカ [前編] 始まりの物語』主題歌)
7.reunion(TVアニメ「俺の妹がこんなに可愛いわけがない。」OPテーマ)
8.カラフル(『劇場版 魔法少女まどか☆マギカ [新編] 叛逆の物語』主題歌)
9.CLICK(TVアニメ「ニセコイ」前期OPテーマ)
10.STEP(TVアニメ「ニセコイ」後期OPテーマ)
11.border(TVアニメ「憑物語」EDテーマ)
12.DROP(2010年4月24日発売「リスアニ!Vol.1」付録CD収録曲)
13.君の夢を見よう(2010年7月24日発売「リスアニ!Vol.2」付録CD収録曲)
14.Clear Sky(2014年11月8日「リスアニ!Vol.19」付録CD収録曲)

収録曲

1 – irony – 04:18
2 – コネクト – 04:30
3 – nexus – 04:53
4 – ナイショの話 – 04:20
5 – Wake Up – 04:13
6 – ルミナス – 04:08
7 – reunion – 04:53
8 – カラフル – 04:32
9 – CLICK – 04:30
10 – STEP – 04:16
11 – border – 04:27
12 – DROP – 04:45
13 – 君の夢を見よう – 03:56
14 – Clear Sky – 04:21

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May 24

レーベル Sony Music Labels Inc.
配信開始日 2016.11.30
収録曲数 全3曲
販売データ ハイレゾ|FLAC|96.0kHz/24bit

http://mora.jp/package/43000001/4547366290875/

33枚目のシングルは、日本テレビ系日曜ドラマ『レンタル救世主』主題歌「believe believe」、ソニー『ハイレゾ級ワイヤレス』CMソング「あなた以外誰も愛せない」を収録したダブルAサイドシングル!
「believe believe」は、「Hot Stuff」等のヒットソングをともに輩出してきた玉井健二プロデューサーによるアップチューン。沢村一樹がドラマで演じる「明辺悠五」によるJUJUとのデュエットバージョンも収録。
「あなた以外誰も愛せない」は、JUJUの真骨頂といえるラヴバラードソング。「奇跡を望むなら…」「やさしさで溢れるように」次ぐ、JUJU渾身の名曲に仕上がっている。

※こちらの商品は、ハイレゾ音源(高音質音源、Hi-Res)商品です。

【タイアップ】
「believe believe」:
日本テレビ系日曜ドラマ「レンタル救世主」主題歌

「あなた以外誰も愛せない」:
ソニー「ハイレゾ級ワイヤレス」CMソング

収録曲

1 – believe believe – 03:52
2 – believe believe feat. 明辺悠五 – 03:53
3 – あなた以外誰も愛せない – 05:21

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May 24

Sony Music Associated Records Inc.
リリース日:2014/09/17

http://hd-music.info/album.cgi/770
http://mora.jp/package/43000001/4547403025316/

JUJUの日(日本記念日協会正式認定)に行った日本フィルハーモニー交響楽団(大友直人指揮)とのコラボツアーの模様を収めた『GIFT』は、総勢80名のフルオーケストラとともに奏でた代表曲の数々を収録。

収録曲

1 – Overture – 02:58
2 – 明日がくるなら Orchestra ver. – 04:59
3 – やさしさで溢れるように Orchestra ver. – 05:14
4 – 光の中へ Orchestra ver. – 04:02
5 – My Life Orchestra ver. – 05:25
6 – この夜を止めてよ Orchestra ver. – 05:32
7 – YOU Orchestra ver. – 06:30
8 – Distance Orchestra ver. – 05:23
9 – 願い Orchestra ver. – 05:02
10 – また明日… Orchestra ver. – 06:08
11 – ANTIQUE Orchestra ver. – 08:09
12 – ありがとう Orchestra ver. – 06:50
13 – 守ってあげたい Orchestra ver. – 06:47
14 – 奇跡を望むなら… Orchestra ver. – 06:53

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May 23

Johann Sebastian Bach – The Brandenburg Concertos and Orchestral Suites – Bach Collegium Japan, Masaaki Suzuki (2009)
FLAC (tracks) 24 bit/96 kHz  | Time – 03:21:02 minutes | 2,66 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: eClassical | Digital Booklet | © BIS Records
Recorded: June 2008 at the MUZA Kawasaki Symphony Hall, Japan (Brandenburg Concertos) and October 2003 at Kobe Shoin Women’s University, Japan (Orchestral Suites)

Bach Collegium Japan was first noticed internationally for undertaking the huge project of recording the complete church cantatas of J. S. Bach. Although the ensemble’s discography consists of predominately vocal works, the participating instrumentalists have attracted acclaim ever since the outset. On the present offering, it is Bach’s two great sets of orchestral works that form the programme and the choir of the BCJ is silent. Bach Collegium Japan and Masaaki Suzuki first recorded the Brandenburg Concertos in 2000, but now return to these great works. The new recording took place in the recently completed MUZA Kawasaki Hall, a venue that is highly suitable to an approach focussing on the chamber music qualities of this music. In four of the concertos Masaaki Suzuki has chosen to replace the traditional cello with the violoncello da spalla – a smaller instrument played horizontally on the shoulder or held against the breast. The instrument has already featured in the BCJ Cantata series, and opens for new possibilities in timbre, for instance in Concerto No. 6, where the violoncello da spalla blends particularly well with the two solo violas and the viola da gambas.

Tracklist:

Johann Sebastian Bach (1685–1750)

Concerto No.1 in F major, BWV1046
1. I. [No tempo indication] 4’00
2. II. Adagio 3’45
3. III. Allegro 4’07
4. IV. Menuet 8’25

Concerto No.2 in F major, BWV1047
5. I. [No tempo indication] 5’19
6. II. Andante 3’43
7. III. Allegro 2’59

Concerto No.3 in G major, BWV1048
8. I. [No tempo indication] 5’42
9. II. Adagio 4’28
10. III. Allegro 4’19

Concerto No.4 in G major, BWV1049
11. I. Allegro 6’58
12. II. Andante 3’38
13. III. Presto 4’31

Concerto No.5 in D major, BWV1050
14. I. Allegro 9’31
15. II. Affettuoso 5’19
16. III. Allegro 5’04

Concerto No.6 in B flat major, BWV1051
17. I. [No tempo indication] 6’37
18. II. Adagio ma non tanto 5’03
19. III. Allegro 5’31

Suite No.4 in D major, BWV1069
20. I. Ouverture 12’21
21. II. Bourrée I / II 2’55
22. III. Gavotte 1’57
23. IV. Menuet I / II 4’11
24. V. Réjouissance 2’31

Suite No.3 in D major, BWV1068
25. I. Ouverture 10’19
26. II. Air 4’41
27. III. Gavotte I / II 4’26
28. IV. Bourrée 1’10
29. V. Gigue 2’48

Suite No.1 in C major, BWV1066
30. I. Ouverture 10’01
31. II. Courante 2’21
32. III. Gavotte I / II 3’48
33. IV. Forlane 1’19
34. V. Menuet I / II 3’27
35. VI. Bourrée I / II 2’32
36. VII. Passepied I / II 3’06

Suite No.2 in B minor, BWV1067
37. I. Ouverture 10’41
38. II. Rondeau 1’52
39. III. Sarabande 2’53
40. IV. Bourrée I / II 2’05
41. V. Polonaise – Double 3’52
42. VI. Menuet 1’17
43. VII. Badinerie 1’23

Personnel:
Bach Collegium Japan
Masaaki Suzuki, conductor

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May 23

Rachel Barton Pine – Bach – Testament: Complete Sonatas and Partitas for Solo Violin (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 2:05:43 minutes | 2,38 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: prestoclassical.co.uk  | Digital Booklet | © Avie Records
Recorded: 16–18 April, 28–30 May, 29 & 31 August 2015, St. Pauls United Church of Christ, Chicago

‘Testament’ is Rachel Barton Pine’s very personal homage to the music of J. S. Bach, on which she performs the composer’s complete Sonatas and Partitas for Solo Violin in the acoustic of her hometown St. Pauls Church in Chicago, where she first heard and fell in love with Bach’s music.
Best-selling violinist Rachel Barton Pine’s relationship with the music of Bach runs deep. She first heard and fell in love with Bach’s music in her hometown St. Pauls Church in Chicago, which had a stained glass window of the composer in the sanctuary. That church is where Rachel first played Bach’s music, at the age of four, and where she returned to record Bach’s Six Sonatas and Partitas in its beautiful yet clear acoustic. Rachel says, “I’m so pleased to have recorded the Six Sonatas and Partitas in my favourite sound space for these works, the place that I consider to truly be my emotional home for playing them.”

Rachel Barton Pine has often performed the Sonatas and Partitas of Johann Sebastian Bach in recital, but her 2016 release on Avie is her first studio recording of this essential masterwork for violinists. Using a Baroque bow on a modernized 1742 Guarneri de Gesù violin, Pine plays the Sonatas and Partitas with crisp accentuation, transparent voicing, and a warm tone, much as she does in her concert performances. Her interpretation, which is influenced by period practices but not limited by them, offers clear counterpoint in the sonatas and buoyant dance rhythms in the partitas, and there is little scratchiness in her stopped chords to disrupt the smoothness and transparency of her elegant lines. Pine’s depth of feeling and expressive insights into the music keep it from seeming like dry, technical exercises, yet there is none of the overly rhetorical Romantic approach here, either, so this reading does justice to Bach’s likely intentions while communicating emotion in a subtle and tasteful manner. Highly recommended. — AllMusic Review by Blair Sanderson

Tracklist

Sonata No.1 in G minor BWV 1001
01. Adagio (3.30)
02. Fuga (4.51)
03. Siciliana (2.33)
04. Presto (3.23)

Partita No.1 in B minor BWV 1002
05. Allemanda (7.04)
06. Corrente (6.38)
07. Sarabande (3.18)
08. Tempo di Borea (8.29)

Sonata No.2 in A minor BWV 1003
09. Grave (3.27)
10. Fuga (6.44)
11. Andante (5.2
12. Allegro (5.16)

Partita No.2 in D minor BWV 1004
13. Allemanda (4.01)
14. Corrente (2.43)
15. Sarabanda (3.48)
16. Giga (3.55)
17. Ciaccona (11.36)

Sonata No.3 in C BWV 1005
18. Adagio (4.00)
19. Fuga (9.05)
20. Largo (2.54)
21. Allegro assai (4.51)

Partita No.3 in E BWV 1006
22. Preludio (3.33)
23. Loure (3.51)
24. Gavotte en rondeau (2.42)
25. Menuet I & II (4.03)
26. Boureé (1.37)
27. Gigue (1.53)

Personnel:
Rachel Barton Pine, violin
Violin: Guarneri ‘del Gesù,’ Cremona, 1742, the ‘ex-Bazzini, ex-Soldat’
Violin strings: Vision Titanium Solo by Thomastik-Infeld
Baroque violin bow: Daniel Latour

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May 23

Ludwig van Beethoven – Symphony No. 5 – Glenn Gould (1968/2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 39:15 minutes | 368 MB | Genre: Classical
Studio Masters, Official Digital Download – Source: Q0buz | Digital Booklet | © Columbia Records

Joke, satire, irony, deeper significance: the back cover of Gould’s gripping recording contained four imaginary reviews by an English critic (Sir Humphrey Price-Davies), a Munich musicologist (Dr. Karlheinz Heinkel), an American psychiatrist (Prof. S. F. Lemming), and the American corres pondent to the Journal of the All-Union Musical Workers of Budapest. All were written by Gould himself …

Tracklist:

Ludwig van Beethoven (1770-1827)

Symphony No. 5 in C Minor, Op. 67 (Transcribed for Piano by Franz Liszt)
1. I. Allegro con brio 06:02
2. II. Andante con moto 14:37
3. III. Allegro 07:00
4. IV. Allegro 11:37

Personnel:
Glenn Gould, piano

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May 23

Benjamin Britten – Serenade for tenor horn & strings – Aldeburgh Strings (2016)
FLAC (tracks) 24 bit/192 kHz | Time – 01:08:43 minutes | 1,21 GB | Genre: Classical
Studio Master, Official Digital Download – Source: LINN | Digital Booklet | © LINN Records

This recording is the conclusion of projects celebrating Britten’s centenary in 2013, at which Aldeburgh Strings performed the closing concert in Britten’s musical home of Snape Maltings.

The recording opens with Young Apollo, a radiant, expressive, characterful and dramatic work, featuring pianist Lorenzo Soulès. The Lachrymae subtitled ‘reflections on a song of Dowland’ explores the viola’s intensely mellow sonorities; Máté Szücs (Berlin Philharmonic Orchestra) is the soloist. The Prelude and Fugue finds Britten indulging in the exuberant technical wizardry of his youthful period whilst recalling Bach’s sophisticated contrapuntal textures.

To close, one of the great masterpieces of Britten’s cannon: the Serenade for Tenor, Horn and Strings. The award-winning tenor Allan Clayton and horn player Richard Watkins are the soloists, the latter reprising his role 30 years after first performing it with Peter Pears.

This enjoyable album, including some Britten rarities like Young Apollo and the Prelude and Fugue, draws on recordings made at the Snape Maltings between October 2012 and April 2015. It’s fairly short weight at only 55 minutes, but any concerns about that should be set aside, because of the exceptional performance here of the Serenade , one of the great masterpieces of British music. The tenor Allan Clayton, is an artist for whom I have the highest regard, because of both the quality of his voice and his calibre as a musician. And the playing of the hornist Richard Watkins is also truly exceptional. The opening phrase of the serenade’s Pastoral makes clear that Clayton is blessed with the same sort of high tenor voice as the singer for whom the piece was written, Britten’s partner Peter Pears, but without what I can only describe as the strangulated, drowning-the-cat, timbres that, if truth be told, irritated all but Pears’ most dedicates admirers. As such, this is a performance so worth treasuring, that even if you don’t want the whole album, you should download this. By the way, this recording mainly features the Aldeburgh Strings, a group put together from visiting musicians, rather as they do at Bayreuth, so the viola player Mate Szucs plays in the Berlin Philharmonic, whilst the director, the violinist Markus Daunert, is leader of both the Mahler Chamber Orchestra, and the Lucerne Festival Orchestra. Quite a pedigree. –Classic FM, March 2016

Tracklist:

Benjamin Britten (1913-1976)
1 Young Apollo Op 16*[7’55]
2 Lachrymae Op 48a**[14’19]

Prelude and Fugue Op 29
3 Prelude[3’06]
4 Fugue[5’43]

Serenade for tenor, horn and strings Op 31
5 Prologue: Andante[1’32]
6 Pastoral: Lento The day’s grown old; the fainting sun[3’23]
7 Nocturne: Maestoso The splendour falls on castle walls[3’52]
8 Elegy: Andante appassionato O rose, thou art sick![4’00]
9 Dirge: Alla marcia grave This ae nighte[3’29]
10 Hymn: Presto e leggiero Queen and huntress, chaste and fair[2’03]
11 Sonnet: Adagio O soft embalmer of the still midnight[3’59]
12 Epilogue: Andante[1’41]

Ralph Vaughan Williams (1872-1958)
13 Fantasia on a Theme by Thomas Tallis[13:43]

Personnel:
Aldeburgh Strings
Markus Däunert, director
Richard Watkins, french horn
Allan Clayton, tenor
Máte Szücs, viola**
Lorenzo Soulès, piano*

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